We’re moving right along on ravelry with the Santa Rosa Plum KAL. Many knitters are now finished the yoke (which was clue 1) and moving on to clue 2, the body.
So this is what the yoke looks like – most of it is worked in the first gradient colour, with the change coming close to the bottom of the yoke. Raglan increases are worked at both sides of the lace panels. In the pattern tip page I gave a chart that showed how the increases are distributed. For some sizes the sleeve increases slow down near the bottom of the yoke and for other sizes the full raglan increases slow down. When you see it on a full chart you can very easily make adjustments for your size. You can even add increases easily at just the front to accommodate extra bust shaping.
Now that knitters are finished with that clue the body is next:
The underarm area uses cast-on stitches to join the front and back. Traditionally a Backwards Cast-On is used. However I prefer a Cable Cast-On as it helps to reduce the gapping in the underarm. Using this cast on requires one extra step – you need to turn to the WS to work it and then turn back to the RS to continue the work. This is because you need your working yarn on the left needle to create it.
We’re having lots of fun calculating yarn amounts to use all colours of our gradient yarn. Everyone is pulling out the weighing scales to figure out their yarn usage to make sure they finish each colour in the correct place :-)
The integrated I-cord edging and single row buttonhole are getting lots of love – it makes a really tidy combination. In the next few weeks I’m going to add a tutorial on this buttonhole as it’s my favourite method.
The wonderful Blue Moon Fiber Arts is offering a prize of 2 skeins of her Single Silky Targhee.
Keep on knitting you great knitters – clue 3 coming out July 16th with the grand prize picked on the 1st of August!
Last Spring I had a shawl, Ribbon Tool Shawl, published in the spring issue of Interweave Knits. It’s not a very complex knit but starting the edging has got some knitters into problems so I thought I’d put a quick photo tutorial together to help them out.
First you finish the body of the shawl and break the yarn – in the swatch I’m working on that’s the little strip of garter stitch sitting on the table! Now for the edging with a double pointed needle you cast on the correct number of stitches and work the wrong-side set-up row. This is what’s pictured here.
Now in the pattern you work row 1 of the edging. This is what catches knitters out. You begin by working a Chain 6. The chain 6 is knitting the same stitch 6 times to form a ‘chain’ of knitted stitches similar to a crocheted chain.
Begin by knitting the first stitch and slipping it back to the left needle.
Now you knit this stitch 5 more times (slipping it back after each time you knit it).
When you are finished you will have a chain of stitches that looks like this, with the final stitch on your right needle.
Now you knit the next stitch so you will have 2 stitches on your right needle.
Now you lift the second stitch over the first, this will effective ‘close’ the chain loop that will be at the edge of your shawl.
Once this chain loop is complete work the remainder of Row 1 of the edging as written until you reach the final stitch. This is where you will join the body of the shawl with the edging. You want to knit this last edging stitch with the first stitch of the body.
As they are still on 2 needles you can either knit them together with the 2 needles or transfer the stitch from the dpn to the shawl body needle.
From this point you can also use just the circular needles for the remainder of the shawl if it is easier for you.
I’ve had a few questions about the ‘double yo’ in the Spritz Stripes pattern. In this sweater you’re knitting a lace pattern in the round. At the end of round 4 you have a yarnover and then at the beginning of round 5 there is another yarnover. I’ve done a little photo tutorial on how I managed this. It does produce a slightly larger hole every 6 rounds at this position but it’s not excessive.
Here’s the 1st step. You’re at the end of rnd 4, you’ve worked a p2tog and the next stitch is yo. So just leave the yarn in front and this will create the yarnover automatically.
Here’s the next step. You slip over your start of round marker and get set to begin round 5. This round starts with a yarnover. So what you want to do is bring your yarn over the needle (this finishes the yo for you at the end of rnd 4) and wrap it around the needle once to get ready to work a knit stitch (yarn at the back of the work).
The second stitch to be worked on round 5 is k2tog, so this is what it’s going to look like. A yarnover at the very end of rnd 4, the marker, a yo at the start of rnd 5 and then k2tog.
When you reach this double yarnover at the end of round 5 be careful to work them both separately so you don’t lose a stitch at either the start or end of the round.
For anyone who has been following my work you probably know that I really, really love short rows. Many of my designs use short rows, I’ve written multiple tutorials on short rows, taught a Craftsy class on short rows as well as many in-person classes.
Why do I love them?
I’ve often asked myself this, and I think it’s because they are so versatile. You can take a flat bit of knitting and without changing your stitch count you can create curves, slopes and even three-dimensionality shapes. Short rows are everything that’s good about knitting, you can make your knitting your own custom designed to fit you.
It would appear that my love for short rows doesn’t show any sign of subsiding any time soon. While the basics of short rows are not very complex there is so much to learn beyond the basics. I regularly learn and/or figure out new ways of creating them, new shaping ideas and new designs that can use them.
In a few months I’ll be teaching a short row class for the Edinburgh Yarn Festival. While I’ve taught this class before I’ve been learning so many new short row methods and uses that I’m creating a very new class. The basics are still there but I’m adding in lots that is new; creating shapes with different short row steps, German short rows, short row shawl curves and sock heels.
If you can’t make it to Edinburgh this spring I’ll have a few short row surprises coming for you as well. You will however have to wait a few months to find out….I wish I was able to spill the beans on these new projects but I’ll just have to be patient :-)
I very much enjoy teaching, but I need to be careful not to overdo it. For me, somewhat on the introvert end of the scale, it’s important to get out of my own head. However I try not to schedule more than one event a month. I’m usually thinking about it for a few days before the event (so less sleep), have great fun while I’m doing the class and then crash for a few days afterwards until I get my rhythm back. Plus of course juggling the lives of 4 children when I change my schedule is no small task!
I think it’s fun and exhausting for me as I throw a lot of myself into the class. I don’t just want to teach knitters a step-by-step technique, I’m much more interested in them understanding how it works. For instance when doing grafting, I don’t just want to teach a series of steps to work in basic 2×2 ribbing. Instead I break it down into sections that are reproducing each step of your knitted stitch. That way every knitter in that class can walk out being able to transfer their knowledge to absolutely ANY type of grafted rib. When I teach cable charts I don’t just show how to work the exact cable shown in the chart. I break it down explaining how the chart is constructed so even if the legend is missing the knitter can easily interpolate the chart themselves.
When I teach classes I have discovered that learning can go both ways. During classes I’ve seen new methods of knitting, learned new techniques and I get to see patterns and written instructions from the other side. If I only sat at home writing patterns I’d be writing them as I want patterns to be written, explaining everything the way I understand. So in short teaching classes helps me write better pattern instructions and keeps me expanding my own knitting knowledge.
Over the last year or two there have been more and more knitting tours coming to Ireland. Originally it was just Tourism Ireland and Jean Moss but in the last few months I’ve taught a tour from Belgium, several more from the USA/Canada and there are 4 more upcoming over the next few months including one from Norway. While not everyone is going to do a knitting tour of Ireland I also travel a little for teaching. The next trip I’ll be making is to the Edinburgh Yarn Festival in March. I love Edinburgh very much, so it is a good spot for a weekend trip! The classes aren’t up for sale yet but you can view all the details here. On Saturday 14th I’ll be teaching Seamless Knits: Beyond the Raglan and on Sunday 15th I’m teaching Short Rows: Beyond the Basics.
If you want to find out what upcoming classes I’m teaching keep a look out on my class page here.
Last month when I was teaching several classes I had many knitters ask me about picking up stitches. This is very relevant for the style of knitting I do, frequently I will pick up stitches from the edge of the knitting rather than seam. I find that once you perfect picking up stitches it can be an easier way to join knitting than seaming – and very importantly it can easily be redone several times until you get the stitch distribution you want.
If you want to watch me picking up stitches while I talk you can take a look here.
To start with you need to decide where you’re going to pick the stitches up from. You can take the ‘loop’ right at the edge or my preference is to go a full stitch in and knit ‘through’ the knitting. I find this gives the cleanest line when you pick up stitches; you are moving back from the looser edge stitch to a more stable column of stitches. This does however give you a more noticeable ‘seam’ on the inside so keep this in mind for your knitting.
Once you have decided where you’re going to pick your stitches up from the next step is to decide how many you will pick up. If it is a cast on or bound off edge this is easy, pick up one stitch for each stitch in your knitting – a 1:1 ratio. However what happens if you’re working along the edge of your knitting? You are picking up stitches along rows and 1 stitch is NOT equal to one row. The exact ratio will in fact depend on your own gauge. If you are working stockinette along stockinette edge then you may be picking up around 3 stitches for every 4 rows (a gauge of 18 stitches and 24 rows gives you this ratio 18/24 = 3/4 so 3 stitches every 4 rows).
So how do you know if you’ve got the ratio right? If you begin knitting a few rows and it is splaying out then you know you have too many stitches and you’ll have to rip back and either pick up again or alternatively decrease in the first row. If your knitting is pulling inwards as you work then you have too few stitches and you’ll have to go and increase or pick up more stitches.
If you’re working with a pattern that specifies an exact number of stitches to be picked up then you can divide the knitting into sections with safety pins and make sure you pick up the correct number of stitches within each section as evenly as possible.
Alternatively you can do as Ann Kingstone does, she picks up one stitch for every row and then decreases to the number of stitches she wants in the next row.
Recently I was asked about my knitting style by someone who wanted a tutorial on it. It’s actually something I don’t think about too much, I learned to knit with my yarn in my right hand and until a few years ago I didn’t know there was even other ways of knitting! This knitting style is sometimes known as ‘throwing’ or ‘English style’.
Now I’m not sure if my knitting actually fits the ‘throwing’ style as I never take my right hand off the needle. I lift my right index finger only and my working fabric sits on my right thumb to balance it. I keep my stitches very close to the tip of the needles also to increase speed. This knitting style developed organically for me over the years. I wanted to reduce the number of motions to make knitting more comfortable and also to increase the speed. Often Continental knitters (with yarn in left hand) claim that their knitting style is much faster, but for me personally I never got to grips with yarn tensioning in my left hand and I hate doing the purl stitch!
I love learning new skills. Whenever possible I try to add them into a pattern to force me to perfect them. I’m a big believer in learning as you do – I can’t spend weeks learning a new subject. I find that I learn best if I get the most basic of skills and then dig into a project with tutorials and books at hand. This is what I’ve been doing with Adobe Illustrator. Previously I’ve used Inkscape to create schematics for my patterns but there was some functionality that just couldn’t be done on that platform. So I’ve been trying my best to learn how to use Illustrator through schematics. Marnie has got some amazing tutorials here that were a great starting point. From there I started asking people how they do their schematic and I’m finding that everyone seems to have developed their own slightly different techniques. I also found a book that is not exactly the same as the schematics I do but gave me a few good techniques that I had been lacking. So piece by piece I’m building my illustrator drawing skills.
On the subject of new skills, I’ve just added a new tutorial to the website for a Looped Crochet Bind Off. As a non-crocheter this was not one that I tried myself before but it’s pretty easy to work and gives a nice stretchy decorative edge to shawls. I’m certain that someone with more crochet skill could work it a whole lot faster than me though!
Are there any new skills that you’ve been itching to learn? Maybe a New Year’s Resolution? Tell me what they are!
Last week I was asked about upsizing a garment and if it could be done. The answer of course is that it can, but how complex the job is going to be depends on the garment.
I thought I’d do a blog post on garment sizing and how you would think about increasing the size of a garment.
To start with you have to decide how many extra inches/cm you want to add. If it’s only a few the job will not be too hard but a significant size change will require a lot of calculation.
I’d also suggest checking your other dimensions. Do you want to add extra width to the neck and shoulders? What about the depth of the armhole?
Here is a very basic sketch of a sleeveless top so you can see the dimensions you’ll need to think about.
So how do you plan the size change?
If the biggest size given was 50″ chest diameter and you want 56″ you will have to add an extra 6″.
I’m going to then assume that you want to add half (3″) of those stitches to the front and half of that to the back. So your back/front width will be 56/2 = 28″.
This takes care of the body width for you, but what happens when you reach the armhole?
Next you need to decide the width of neck and shoulder you want. These numbers don’t change as much as the bust measurement so even if you are adding some width to the biggest size it won’t be very much.
So if the original neck width was 8″ and each shoulder was 3″ you would have the total back shoulder width of 8 + 3 + 3 = 14″
If you wanted to make that 8 1/2″ and 3 1/2″ your back shoulder width would be 15 1/2″.
So at our armhole we will want to decrease from a body width of 28″ to a back shoulder width of 15 1/2″.
Look at the schematic and you can see that this happens at both sides. So we will calculate that decrease: 28-15 1/2 = 12 1/2″. Half of this is: 6 1/4″ which is the armhole decrease inches at each side.
Now that you have all the numbers you convert them all to stitches with your stitch gauge.
If you have 5 stitches for every 1″:
Front/back extra stitches: 3″ x 5 stitches = 15 extra stitches front and back.
Armhole decrease stitches: 6 1/4″ x 5 stitches = 31 stitches decreased at armhole each side.
Next question, how will you decrease those stitches?
I’d suggest examining the pattern. You will see that you will have initial stitches bound off at the bottom of the armhole and then stitches decreases as you work up the armhole. See how many extra stitches you will have to decrease to get the back shoulder width you want and distribute them within the pattern. In other words, if 10 stitches are bound off then perhaps make that 12-14 and then keep decreasing the remainder as in the pattern until you have the width you need.
I bet it’s easy to see my engineering background coming out when I talk about numbers right?!
We all like to be an expert; itâ€™s great to be acknowledged for our expertise and knowledge.Â It really is an ego boost to feel like the authority on some subject.Â But itâ€™s comes at a price.Â If you set yourself up as an authority it makes it a whole lot harder to keep learning.Â Almost as though you canâ€™t show any chinks in your armour of knowledge.
But it is just not possible to know everything!Â Life and learning is an on-going process, constantly evolving.Â It is so important to keep your mind open to new ideas and allow yourself to learn, to be humble and accept suggestions.Â Ego is a terrible thing; I suspect it actually hides big insecurities in all of us.Â It is hard to keep your mind open, to be able to take well-meaning suggestions without flinching.
This of course goes well beyond just my design work right though all of life.Â After my fourth child was born and he was having various sleeping problems related to his ears the most common refrain I heard was â€˜well you know what youâ€™re doing, youâ€™re an expert at thisâ€™.Â Total nonsense.Â With each child Iâ€™m a complete beginner.Â Iâ€™ve never met them before, I donâ€™t know who they are yet.Â The same goes for every new design.Â Iâ€™ve got a stockpile of background knowledge but every one is started anew, from scratch, and to make it special youâ€™ve got to allow yourself to go back to basics in the hope that youâ€™ll rediscover something amazing.
So hereâ€™s to a new year of learning and fresh discoveries for all of us!